Database
Title | Composer | Librettist | Length | Performance Forces | # Roles | # Inst | Recording | |||
---|---|---|---|---|---|---|---|---|---|---|
¿Y los pasteles? | Johanny Navarro | José Félix Gómez | 1:30 | cl, bsn, cor, tbn, perc, str 5tet | 10 | |||||
“Or like a…” | Tania Leon | John Ashbery | 0:15 | bar — vc, perc | 1 | 2 | ||||
[INSERT CAPTION HERE] | Christian Quinones | 0:10 | auto-tuned mez — keyboard, live electronics | 1 | 2 | View Recording | ||||
[redact] | Nina Shekhar | Nina Shekhar | 0:09 | sop — cl, ten sax, vln, vc, perc, electronics, (optional lighting) | 1 | 6 | English | View Recording | ||
1619 opera cycle | Joseph C Phillips Jr | Joseph C Phillips Jr, Kelley Rourke, and others | varies — varies — SATB chorus | English | ||||||
18 Palace Road | Shreya Jha | Shreya Jha | 1:40 | sop, mez, ten — cor, pno, perc, vln, vla, v c — chorus | 3 | 6 | English | View Recording | ||
9 Death Haiku | Michi Wiancko | vocals — str 4tet, bass, perc | 1 | 6 | View Recording | |||||
A Bayou Legend | William Grant Still | 2:00 | sop, mez, ten, bar, bass — orchestra: 3-2-EH-3-2; 3-3-2-1, timp, perc, cel, hp, str, drums, cymbs — chorus | 5 | 30+ | |||||
A Common Truth | Joseph Jones | 2:50 | mez, ten, 2 bar, bass — Orchestra (2.2.2.2-4.2.3.0-T+1-Str) | 5 | 30+ | English | ||||
A Cup of Sin | Parisa Sabet | Simin Behbahani | 0:16 | mez — cl, pno, vc, elec git | 1 | 4 | English, Farsi | View Recording | ||
A Kiss in Xanadu | H. Leslie Adams | unknown voice types — | 8 | |||||||
A Midsummer Night’s Dream | Michael Ching | William Shapespeare | “voicestra” of 15-20 voices | 15 | ||||||
A Pilgrim’s Songs | Chia Yin Wu | 0:08 | sop — vc, pno | 1 | 2 | Mandarin | View Recording | |||
A Rose | Kamala Sankaram | Kamala Sankaram, Misha Penton | 0:15 | sop, ten, 2 Hindustani singers — fl, ob, vln, vla, pno, tabla | 4 | 6 | ||||
A Royal Feast | Michael Ching | |||||||||
A Setting of Five Poems by Langston Hughes | Joyce Solomon Moorman | Langston Hughes | ten — bsn, cor, xylo | 1 | 3 | |||||
A Souther Interlude | William Grant Still | 1:00 | ||||||||
a summer more like a song | Melissa Dunphy | Juliette Lee | 0:01 | bar — vln, vc, pno | 1 | 3 | English | |||
Aesopica | Marcos Balter | ten/narrator — fl, cl, bsn, cor, tba, perc, pno, 2vln, vc, electronics | 1 | 11 | ||||||
After the Wailing | Jonathan Bailey Holland | Stephen Caldwell Wright | 0:05 | sop — vln, vla, vc | 1 | 3 | View Recording | |||
Ainadamar | Osvaldo Golijov | David Henry Hwang | 1:10 | 2 sop, mez, 2 ten, 2 bar, bass — 3 fl, ob, 2 cl, bsn, 2 cor, 2 tpt, tbn, 3 perc, 3 cajons, 2 git, pno, computer-based sampler-harp-strings — female chorus | 8 | 21 | Spanish | View Recording | ||
Aksobya | Leila Adu | voice — pno, electronics | 1 | 2 | ||||||
Alice Ryley | Michael Ching | Michael Ching | ||||||||
Alice Tierney | Melissa Dunphy | Goldfinger | 1:00 | 7 solo voices — chamber ensemble | 7 | |||||
all decisions will be made by consensus | Kamala Sankaram | Rob Handel | 0:12 | 6 singers — live electronics | 6 | 1 | ||||
All Dressed Up (No Place to Go) | Michael Ching | |||||||||
Always | Jonathan Bailey Holland | 0:10 | 2 sop, 2 ten — piano | 4 | 1 | |||||
American Apollo | Damien Geter | Lila Palmer | ||||||||
American Voices | Jonathan Bailey Holland | 0:15 | narrator — 4 ten tbn, 2 bass tbn | 1 | 6 | View Recording | ||||
Americana | Jonathan Bailey Holland | 0:07 | voice — fl, acoustic git, drums, 2vln, vl, vc, db | 1 | 8 | |||||
Americans all around us | Obediya Wonderful Jones-Darrell | Wayde Compton | 0:02 | bar, bass bar — str 4tet | 2 | 4 | English | |||
Amistad | Anthony Davis | Thulani Davos | 2:02 | 2 sop, 2 mez, 4 ten., 2 bar, b.bar, 2 bass — Orchestra with Harp, Saxophone, Trombone, Bass, Drums and Percussion. — 2 choirs – a Black ensemble and predominately White chorus | 13 | 30+ | English, Haitian dialect | View Recording | ||
An African American Requiem | Damien Geter | sop, alt, ten, bass — orchestra — SATB chorus | 4 | 30+ | View Recording | |||||
An American Soilder | Ruo Huang | David Henry Huang | 2 sop, 2 mez, 4 ten, 5 bar, 7 bass — | 20 | 30+ | English | View Recording | |||
An Opera in One-Act Opera | Faye Chiao | Faye Chiao | 0:30 | View Recording | ||||||
Ana y su Sombra | Gabriela Ortiz | 0:45 | 2 sop, mez, ten — fl, vln, pno | 4 | 3 | View Recording | ||||
Anansi and the Moss Covered Rock | Jonathan Bailey Holland | 0:12 | narrator — 2fl, 2ob, 2cl, 2bsn, 2cor, perc, str | 1 | 30+ | |||||
Ancient | Tania Leon | 2 sop — fl, cl, perc, vla, vc | 2 | 5 | ||||||
And The Lands Were Dreaming | Parisa Sabet | 0:13 | ten — cl, pno | 1 | 2 | View Recording | ||||
And the Ocean was Gone | Roydon Tse | Sue Goyette | 0:09 | sop, mez, ten, bar — large chamber ensemble | 4 | English | View Recording | |||
Angel’s Bone | Du Yun | Royce Vavrek | 1:27 | mez, ten, bar, female punk voice, male sop or countertenor — fl, ob, cl, tpt, tba, drumkit, lute, vln, vla, vc, electronics — chorus of 7 people | 5 | 11 | View Recording | |||
Angst | Alice Ping Yee Ho | 0:12 | sop — | 1 | 0 | View Recording | ||||
Anna Hunter | Michael Ching | Michael Ching | ||||||||
Archaeology | Maria Thompson Corley | Kirsten Maria Corley | 0:06 | sop — clarinet | 1 | 1 | English | |||
Arkana Aquarium, An Opera | Michi Wiancko | Annie-Sage Whitehurst | 0:25 | View Recording | ||||||
Asphalt Grandpa | Leila Adu | voice — cimbalom, electronics | 1 | 2 | View Recording | |||||
At the Door | Daniel Sabzghabaei | Rumi | 0:14 | high voice, medium voice — pno | 2 | 1 | View Recording | |||
At War with Ourselves | Michael Abels | Nikky Finney | ||||||||
Autumn | Alice Ping Yee Ho | 0:10 | sop, mez — fl, 2 perc, vla, db | 2 | 5 | |||||
Ayre | Osvaldo Golijov | 0:40 | sop — fl, cl, bas, cor, perc, harp, git, solo vln, solo vc, solo db, laptop | 1 | 11 | View Recording | ||||
Baba Yaga and The Firebird: A Musical for Family Audiences | Faye Chiao | Anton Dudley | 1:00 | English | View Recording | |||||
Balm in Gilead | Shawn E. Okpebholo | bar — fl, pno | 1 | 2 | ||||||
Basho Haiku | Roger Zare | 0:10 | sop — perc, str 4tet | 1 | 5 | View Recording | ||||
Bayoán | Roberto Sierra | 0:40 | sop, bar — orchestra — SATB chorus | 2 | 30+ | View Recording | ||||
Bernsteinlied | Alvin Singleton | 0:04 | sop — fl, pno | 1 | 2 | |||||
Between Sisters | Alvin Singleton | Rita Dove | 0:10 | sop — alt fl, vibraphone, pno | 1 | 3 | View Recording | |||
Beyond the Silence of Sorrow | Roberto Sierra | 0:25 | sop — orchestra | 1 | 30+ | View Recording | ||||
Birthday Clown | Michael Ching | |||||||||
Black Thunder | Melissa Dunphy | Luke Stromberg | 0:06 | bar — vln, vc, pno | 1 | 3 | English | View Recording | ||
Blake | H. Leslie Adams | Daniel Mayers | 2 sop, mez, ten, bar, bass, 4 speaking roles — orchestra or chamber orchestra — chorus | 10 | 30+ | English | ||||
Blessings as Rain Fall | Leila Adu | Kalu Rinpoche | 0:19 | 1 voice — symphony orchestra | 1 | 30+ | View Recording | |||
Bloodlines | Shuying Li | Lila Palmer | 0:30 | sop, mez, bar — fl, cl, vln, vc, pno | 3 | 5 | View Recording | |||
Blue Steel | William Grant Still | 2:00 | sop, bar, cont, ten — orchestra: 3-2-EH-4-3; 4-3-3-1; timp., perc., cel., hp., str., 3 tom-toms — chorus | 4 | 30+ | |||||
blush | Nina Shekhar | Nina Shekhar | 0:10 | sop — — SSAATTBB choir | 1 | 0 | English | View Recording | ||
Boozhoo Manoomin Suite | Beverley Mckiver | 0:25 | voice — fl, pno, vla OR vc | 1 | 3 | View Recording | ||||
Born To Say Thank You | Brent Michael Davids | 0:05 | sop — Native American wood flute, orchestra (double winds) | 1 | 30+ | |||||
Bound | Kevin Lau, G.F. Handel | Joel Ivany | 1:00 | sop, alt/c.ten, ten, bass — 1.1.1.1 – perc – 1.1.1.1.1 | 4 | 10 | ||||
Buoso’s Ghost | Michael Ching | Michael Ching | ||||||||
California Shoreline | Kui Dong | Kui Dong | sop — str 4tet and harp or prepared piano | 1 | 5 | English | View Recording | |||
Call Out | Kamala Sankaram | from Twitter, Gawker, and adapted from Rumi | 0:15 | bar — vc, pno | 1 | 2 | ||||
Cancionero Sefardí | Roberto Sierra | 0:16 | sop or ten — fl, cl, vln, vc, pno | 1 | 5 | View Recording | ||||
Canto | Tania Leon | 0:15 | bar — cl/b cl, mar, vc, pno | 1 | 4 | |||||
Champion | Terence Blanchard | Michael Christofer | sop, 2 mez, 3 ten, bar, b.bar, bass, boy sop — | 10 | ||||||
Chekhov’s Gun | Christian Quinones | 0:08 | bar — b cl, tpt, tbn | 1 | 3 | View Recording | ||||
Chhlong Tonle (Crossing the River) | Liliya Ugay | Sokunthary Svay | ||||||||
Chronicle for An Eccentric Heart | Alice Ping Yee Ho | 0:12 | sop — cl/b.cl, pno | 1 | 2 | |||||
Chronicles of Ghosts | Extraordinary Women of the 16th Century | Clarice Assad | 0:18 | sop — vln, vc, pno | 1 | 3 | Spanish and English | ||||
Cirandadas | Clarice Assad | 0:20 | at least one low and one high voice — picc, 2fl, ob, e.h., cl, b cl, bsn, cbsn – 4cor, 2tpt, 3tbn, b tbn, tba – 4perc, hp, pno – str | 2 | 30+ | View Recording | ||||
City Night | Alice Ping Yee Ho | 0:13 | sop — fl, pno | 1 | 2 | |||||
Cocks Must Crow | Michael Ching | Michael Ching | ||||||||
Come, My Tan-Faced Children | Melissa Dunphy | Walt Whitman | 0:06 | mez — str orchestra | 1 | 30+ | English | View Recording | ||
Coming Forth By Day | Kerwin Young | 0:15 | bar — ob, vla, vc | 1 | 3 | |||||
Compadre Huashayo | Gabriela Lena Frank | 0:20 | 3 male voices — 3 Quena (3 Quenilla), 2 Flauta de Pan, 2 Zampoña, 6 Toyo, 6 Percussion, 4 Charango, 4 Bandolín, 4 Bandola, 6 Guitarra, Arpa Andina, Contrabass | 3 | 30+ | |||||
Completing the Picture | Michael Ching | |||||||||
Confessions | Clarice Assad | Catherine Maxymuk, Naomi Major, Alissa McLaughlan | View Recording | |||||||
Connections | Shreya Jha | Shreya Jha | View Recording | |||||||
Consolations | Kento Stratford | Boethius | 0:12 | sop — alt fl, ob, b cl, vln, vla, vc, timp, harp, pno, electronics, | 1 | 10 | English, Latin | View Recording | ||
Corps of Discovery | Michael Ching | Hugh Moffatt | ||||||||
Costaso | William Grant Still | 2:00 | sop, mez, 2 ten, bar — orchestra: 2(2nd ad picc.)-2-EH-2-2; 3-3-3-1; timp., perc., cel., hp., str., sn. drum, cymbs., bells, castanets, claves, gong, wire brush — chorus | 5 | 30+ | |||||
Cue 67 | Michael Ching | Sandra Bernhard | 0:35 | |||||||
Dance of the Streets | Joyce Solomon Moorman | sop — cl, vc, pno, drumset | 1 | 4 | ||||||
Dark Lady (Four Shakespeare Sonnets) | Joshua Cerdenia | Shakespeare | 0:16 | ten — vln, pno | 1 | 2 | English | View Recording | ||
Dark River: The Fannie Lou Hamer Story | Mary Watkins | Mary Watkins | View Recording | |||||||
Darkness Visible | Tarik O’Regan | 0:02 | c.ten, ten — piano | 2 | 1 | View Recording | ||||
Dear Abby | Nina Shekhar | 0:06 | 2 singers — sinfonietta | 2 | 30+ | View Recording | ||||
Dear Lenny | Dai Wei | voice — chamber orchestra | 1 | 30+ | ||||||
Death by Life – Scene 4. When the Time Hits You | Jonathan Bailey Holland | Cerise Jacobs | 0:06 | 2 sop, mez, male actor — cl, vln, vc, pno, marimba | 4 | 5 | ||||
Decoupling | Roydon Tse | Roydon Tse | 0:09 | 2 sop — perc, vc, pno | 2 | 3 | English | |||
Dentro La Notte | John Paul Aguilar | Joel Barbosa | 1:47 | sop, mez, alt, 2 ten, bar, bass — Chamber Orchestra — SATB chorus (min 4 voices) | 7 | English | View Recording | |||
Desassossego | Marcos Balter | sop — orchestra | 1 | 30+ | ||||||
Die Mistel (Mistletoe) | Karim Al-Zand | 0:05 | bar — piano 4tet, vibraphone | 1 | 5 | View Recording | ||||
Dinner 4 3 | Michael Ching | Deborah Brevoort | 0:11 | sop or mez, ten or bar, ten — vln, bas, pno | 3 | 3 | View Recording | |||
Dodo, mon tout petit | Ian Cusson | Mavor Moore | 0:07 | sop — orchestra (1,1,2,1; 4,3,2,0; harp, cel; 12,19,7,7,5) | 1 | 30+ | ||||
Dominican | Kui Dong | 0:05 | sop — vc | 1 | 1 | |||||
Doña Rosita | Roberto Sierra | 0:06 | mez — wind 5tet | 1 | 5 | View Recording | ||||
Dr. Sun Yat-Sen | Ruo Huang | Candace Mui-ngam Chong | 2 sop, 2 mez, ten, bar, bass — | 8 | Mandarin | View Recording | ||||
Drag Down the Sky | Osvaldo Golijov | Conor McPherson | 0:20 | bar — str 4tet | 1 | 4 | Ensligh | |||
Dream of the Red Chamber | Bright Sheng | David Henry, Bright Sheng | 2:15 | 8 principle roles — orchestra (2.2.2.2 – 4.3.3.1 – timp, 3perc, harp, qin – str) — SATB chorus | 14 | 30+ | English | |||
Dream Sequence ’76 | Alvin Singleton | Alvin Singleton | 1:10 | 2 sop, 2 alt, 2 ten, bar, bass, 2 actors, pantomime, 6 extras — chamber orchestra and tape | 17 | 30+ | English | |||
Dream Variations | Joyce Solomon Moorman | sop — fl, pno, drumset — SATB chorus | 1 | 3 | ||||||
Dream World | Jerod Tate | 0:20 | narrator — fl, cl, b cl, bsn, perc | 1 | 5 | View Recording | ||||
Dunbar Songs | H. Leslie Adams | Paul Laurence Dunbar | 0:15 | high voice — fl, ob, cl bsn, 2hn, timp, perc, harp, str | 1 | 30+ | English | View Recording | ||
Ear, Skin, and Bone Riddles | Marcos Balter | 0:06 | sop — vln, vc | 1 | 2 | View Recording | ||||
Edge of a Dream | Juhi Bansal | 0:25 | sop, bar, student singer — vln, vc, pno or synth — chorus of k-12 students with or without musical experience | 3 | 3 | |||||
El Castillo Interior | Carla Lucero | Santa Teresa de Avila | 0:07 | male sop — bs. cl., prepared pno | 1 | 2 | English | View Recording | ||
El éxtasis de Santa Teresa | Roberto Sierra | 0:15 | sop — chamber orchestra | 1 | 30+ | View Recording | ||||
El mensajero de plata | Roberto Sierra | 1:10 | View Recording | |||||||
El último sueño de Frida y Diego | Gabriela Lena Frank | Nilo Cruz | 2:00 | sop, mez, c.ten, bar — orchestra (2,1,2,1; 1,1,0,0; 2perc, pno/cel, str) — SSAATTBB chorus | 4 | 30+ | Spanish | View Recording | ||
Elegía | Gabriela Ortiz | 0:14 | 4 sop — 2perc, timp, pno/cel, hp, str | 4 | 30+ | View Recording | ||||
Elegies for the Fallen | Joyce Solomon Moorman | Rashidah Ismaili | 1:30 | 3 sop, c.alt, 2 ten, bar, bass — orchestra (picc.2.2.e.hn,2,b.cl,2 – s.sax.2.2.1.0 – xylo, 2 marimba, guiro, vibraslap, rachet, cabaca, chocolo, shekere, tamtam, snare, 2 congas, bass drum, pno) — SATB chorus | 9 | 24 | English | View Recording | ||
Elementos | Clarice Assad | Daniel Basilio | 0:20 | mez — vln, cl, pno, vc | 1 | 4 | View Recording | |||
Emmett Till: The Opera | Mary Watkins | Clare Coss | View Recording | |||||||
Empire of Wild | Ian Cusson | Cherie Dimaline | ||||||||
Empower | Damien Sneed | Ike Holter | ||||||||
Enchantress of Numbers – Ada Lovelace Opera | Juhi Bansal | Neil Aitken | View Recording | |||||||
Escape from the Evil Empire | Kerwin Young | 0:15 | sop — orchestra (3.3.3.3 – 4.3.3.1 – timp, 4perc, hp, pno – str. — women’s choir | 1 | 30+ | |||||
Eternal Peace | Roydon Tse | 0:08 | c.ten, bar — str trio | 2 | 3 | |||||
Ev’rytime I Feel the Spirit | Shawn E. Okpebholo | bar — vla, pno | 1 | 2 | ||||||
Every Grass a Spring | Du Yun | Du Yun, Yang Nan | 0:05 | bar — sheng, pipa, electronics | 1 | 3 | Chinese | View Recording | ||
Exile/Home | Joshua Cerdenia | bar — vln, vc, pno | 1 | 3 | ||||||
Experiments In Opera: Everything For Dawn | Clarice Assad | Jason Cady, Adrienne Danrich, Lauren D’Errico, Krista Knight, Jerry Lieblich, and Jerome A. Parker. | ||||||||
Faith | Michael Ching | Michael Ching | ||||||||
Fantasies on Tang Poetry | Roydon Tse | Guangzhong Yu | 0:10 | bar — cl, vln, pno | 1 | 3 | Chinese Mandarin | View Recording | ||
Fantasma | Ian Cusson | Colleen Murphy | 0:50 | |||||||
Faryad | Nasim Khorassani | Mehdi Akhavan Sales | 0:08 | bar — b.cl, tpt, tbn | 1 | 3 | Persian in International Phonetic Alphabet | View Recording | ||
Fault Lines | Gity Razaz | 0:20 | 4 voices — chamber orchestra | 4 | 30+ | |||||
Final Proof | Ian Cusson | Daniel Solon | 0:06 | |||||||
Fire Shut Up In My Bones | Terence Blanchard | Kasi Lemmons | 2:10 | View Recording | ||||||
Five Freedom Songs | Jesse Montgomery | 0:20 | voice — perc, str | 1 | 30+ | |||||
Five Millay Songs | H. Leslie Adams | Edna St. Vincent Millay | mez or bar — fl/picc, ob, cl, fag, 2cor, timp, perc, harp, str | 1 | 30+ | English | ||||
Five Songs on Poems of Marilyn Dumont | Ian Cusson | Marilyn Dumont | 0:20 | mez — chamber orchestra (1.1.1.1 – 0.0.0.0 – pno – 3.0.2.1.1) OR pno 5tet | 1 | 12 | View Recording | |||
Flight of Faith | Gity Razaz | 0:05 | tenor — orchestra | 1 | 30+ | |||||
Food Fight | Nina Shekhar | Nina Shekhar | 0:05 | sop — alt sax, pno | 1 | 2 | View Recording | |||
Footsteps in Campbell House | Roydon Tse, Joshua Denenberg, Tyler Versluis, and Yu-Ting Lin | Michael Albano | 4 sop, mez, 2 ten, bar — vln, pno | 8 | 2 | English | ||||
Forbidden | Afarin Mansouri | Donna-Michelle St. Bernard | sop, mez, bar, Farsi rapper — 3 Persian musicians: ney, tar, and perc | 4 | 3 | English, Farsi | View Recording | |||
Formidable | Kamala Sankaram | Jerre Dye | 0:12 | sop, mez — vln, git | 2 | 2 | ||||
Found Again | Jerod Tate | Joy Harjo | 0:25 | vocal quartet — piano — optional children’s chorus | 4 | 1 | ||||
Fountain of You: A Musical Comedy | Faye Chiao | Tasha Gordon-Solmon | English | View Recording | ||||||
Four Freedoms | Joseph C Phillips Jr | Joseph C Phillips Jr | 1:00 | 6 sop, 2 mez, ten, 2 bar/bass — fl, alt sax, ban, cor, tpt, tbn, pno, harp, vln, vla, vc, db — SATB chorus | 11 | 12 | English | |||
Frederick Douglass | Dorothy Rudd Moore | Dorothy Rudd Moore | 3:00 | Orchestra: 2 fl, ob, cor ang, 2 cl, b.cl, bas, 2 cor, 2 tpt, tbn, b.tbn, perc, timp, pno, str | 30+ | View Recording | ||||
Freedom Suite | Leila Adu | 0:14 | 1 voice — large chamber ensemble | 1 | View Recording | |||||
Frenesí | Johanny Navarro | José Félix Gómez, Johanny Navarro | 0:45 | sop, ten, bar — cl, pno, str 4tet | 3 | 6 | View Recording | |||
Für Meinen Vater | Jeff Scott | ten — str 4 tet | 1 | 4 | ||||||
G. F. Handel’s Messiah: The Pre-Game Show | Karim Al-Zand | 0:45 | actor, ten, bar — 2ob, 2bsn, 2tpt, timp, harpsichord, str — SATB chorus | 3 | 30+ | |||||
Ghasedak | Parisa Sabet | Mehdi Akhavan-Saless | 0:12 | ten — vibraphone | 1 | 1 | Farsi | View Recording | ||
Ghosts | Kamala Sankaram | 0:06 | sop — flute choir, pno | 1 | ||||||
Glosa a la sombra | Roberto Sierra | 0:10 | mez — cl, vla, pno | 1 | 3 | View Recording | ||||
Guakia Baba | Johanny Navarro | 0:06 | sop — fl, cl, vl, vc, pno | 1 | 5 | |||||
Hakka Tea Bliss | Alice Ping Yee Ho | 0:09 | solo male or female voice — orchestra | 1 | 30+ | |||||
Have and Hold | Allison Loggins-Hull | 0:03 | singing flutist — singing flutist, electronics | 1 | 1 | English | View Recording | |||
Heart of Darkness | Tarik O’Regan | Tom Phillips | 1:15 | 2 sop, 6 ten, 3 bar, bass — fl/alt/picc, cl/Eb/b cl, cl/bcl, cor, perc, hp, acoustic git, pno/cel/harpsichord/chamber organ, 2vln, vla, 2vc, db | 8 | 14 | ||||
Heart of Ours – A Piece | Tania Leon | R. Sandecki, multiple Indigenous authors | 0:08 | ten — fl, 4tpt, 2perc — men’s chorus | 1 | 7 | ||||
Here | Rich Coburn | Anabel Maler | 0:03 | 1 sop — vc, vibraphone, pno | 1 | 3 | English | View Recording | ||
Hervararkviða (The Incantation of Hervor) | Melissa Dunphy | Melissa Dunphy | 0:12 | mez — vln, harp | 1 | 2 | English | View Recording | ||
Highway I, USA | William Grant Still | 1:00 | sop, ten, bar — orchestra: 2(2nd ad picc.)-2(2nd ad EH)-2(2nd ad Bb cl.)-2; 4-2-2-0; timp. (2), perc., hp., str. — chorus | 3 | 30+ | |||||
ho.ma.ge | Marcos Balter | sop, alt, ten, bass — cl, str 4tet | 4 | 5 | ||||||
Holy Ground | Damien Geter | |||||||||
How I Love You | Parisa Sabet | 0:03 | sop — fl, vc, perc | 1 | 3 | |||||
Hózhó (Navajo Strong) | Jerod Tate | 0:07 | sop — vc, pno | 1 | 2 | |||||
Human Moments: A Song Cycle on the Poems of Brett Foster | Shawn E. Okpebholo | sop, male speaker — electric git, 2pno, chamber str, mixed media | 2 | 30+ | ||||||
Hutong | Kui Dong | Monica Datta, Paul Schick | View Recording | |||||||
Hymn to Freedom | H. Leslie Adams | Paul Laurence Dunbar | 0:10 | sop, ten, bar — Woodwind (doubling picc, B flat cl, bass clar, and E flat alto sax), tpt, tenor tbn and bass tbn or tuba (doubling string bass), pno, perc, 2 violins, viola, cello and double bass. | 3 | 30+ | ||||
I Am A Dreamer Who No Longer Dreams | Jorge Sosa | Cerise Jacobs | 3 female, 2 “children” — orchestra — children’s chorus | 5 | 30+ | View Recording | ||||
I Am Carmen Miranda | Roberto Sierra | 0:18 | mez — large chamber orchestra | 1 | 30+ | View Recording | ||||
I Must Survive | Du Yun | Matthew Maguire | 0:07 | sop — ensemble | 1 | English | View Recording | |||
I Saw A Woman At the Mill | Ian Cusson | Ian Cusson | 0:06 | mez — orchestra (2(picc),2(eh),2,bcl,2,cbsn; 2,2,2,1; timp, 2perc, harp, pno/cel; 6,4,4,4,2) | 1 | 30+ | ||||
I Want To Go Home | Jesse Montgomery | 0:04 | sop — string quartet, quintet, or string orchestra | 1 | 30+ | |||||
Iberian Songs | Gabriela Lena Frank | anonymous | 0:10 | sop — str 4tet | 1 | 4 | Spanish | |||
Illuminated Grey for Large Ensemble | Marc Zollinger | ten — fl, a.sax, vib, perc, vln, electronics | 1 | 6 | ||||||
Images | Joseph Jones | Ranier Rilke | 1:37 | mez, ten, bass — Orchestra (3.3.3.3-4.3.3.0-T-Str) — SATB chorus | 3 | 30+ | German | |||
Immortal Pilots | Melika M. Fitzhugh | Chase Twichell | 0:07 | ten — ten/bass recorder (could substitute C/bass flute), pno/harpsichord | 1 | 2 | English | |||
In Our Daughter’s Eyes | Du Yun | Michael McQuilken | ||||||||
Interludes | John Wineglass | 0:07 | mez — vc, pno | 1 | 2 | |||||
Inuit Games | T. Patrick Carrabré | Katajjak singers — orchestra | 30+ | |||||||
Invisible | Damien Geter | bar — pno, tpt | 1 | 2 | ||||||
Invocaciones | Roberto Sierra | 0:14 | voice — perc | 1 | 1 | |||||
Iphigenia | Wayne Shorter | Esperanza Spalding | orchestra and jazz sax, drums, pno, db | 30+ | View Recording | |||||
Iron John: An American Ghost Story | Jacinth Greywoods | Rebecca Hart | 4 male, 2 female — | 6 | View Recording | |||||
Island of the Moon | Faye Chiao | Anton Dudley | English | View Recording | ||||||
It Is So Cold Tonight | Miguel del Aguila | 0:09 | solo high or med voice — orchestra (2.2.2.2 – 2.2.2.1 – timp, 2perc, pno – str) | 1 | 30+ | |||||
Ithánali (I Know) | Jerod Tate | 0:07 | sop — vc, pno | 1 | 2 | Chickasaw, English | ||||
Ivo, Ivo | Tania Leon | Manuel Martin | 0:05 | sop — cl, bcl, vla, vc, db | 1 | 5 | ||||
J’adore les orages | Ian Cusson | Marc Bouchard | 0:06 | mez — orchestra (picc.2.2.eh.3.bcl.2.cbsn-4.3.3.1-timp.2perc.harp.cel-str) or piano | 1 | 30+ | View Recording | |||
Jeanne | Justine F. Chen | 1:15 | sop, mez, ten, bar, bass — orchestra | 5 | 30+ | |||||
Journey | Tania Leon | 0:06 | high voice — fl, hp | 1 | 2 | |||||
Journey of the Shadow | Gabriela Lena Frank | Nilo Cruz | 0:22 | narrator — orchestra (1,1,1,1; 0,0,0,0; perc, pno; str(1,1,1,1,1)) | 1 | 30+ | ||||
Journey to Freedom | Julius Williams | 0:30 | sop, ten — orchestra (3.3.2.3 – 4.3.2.1 – timp, perc, pno) — chorus | 2 | 24 | |||||
Juana | Carla Lucero | Alicia Gaspar de Alba, Carla Lucero | Spanish | View Recording | ||||||
Katie: The Strongest of The Strong | Faye Chiao | Anton Dudley | 0:45 | |||||||
King of the Clouds | Michael Ching | Hugh Moffatt | ||||||||
Kivalina | Kamala Sankaram | 0:07 | mez — vln | 1 | 1 | |||||
Klage | Joseph Jones | Rainer Maria Rilke | 0:18 | ten — fo, ob, cl, bsn, cor | 1 | 5 | German | |||
Kyrie | Malcolm J. Solomon | sop — fl, organ | 1 | 2 | ||||||
L’Histoire de l’oie | Ian Cusson | Michel Marc Bouchard | 0:15 | mez, bar, c.ten — pno | 3 | 1 | ||||
L’homme Armé | Melissa Dunphy | anonymous | 0:06 | sop or ten — cor, cl, theremin, vc, tape | 1 | 5 | View Recording | |||
La Alcaldesa | Laura Jobin-Acosta | Sandra Flores-Strand | View Recording | |||||||
La Centinela y la Paloma | Gabriela Lena Frank | Nilo Cruz | 0:24 | sop or mez — Orchestra (2,2,2,2; 2,2,0,0; 2perc, cel/pno, harp; str) | 1 | 30+ | Spanish | View Recording | ||
La flambeau | David Bontemps | |||||||||
La Pasión según San Marcos | Osvaldo Golijov | 1:27 | 3 vocalists — non-trad orchestra: 2 tpt, 2 tbn, 3 perc, singers or instrumentalists playing brimbau/cajón/udú/clave/wind chimes/whistle/shaker/gua gua/cuica/SD/BD/bell/bombo/repinique/surdo/ganza, pno, acc, git, str (6.0.6.1 OR 12.0.8.4) — chorus | 3 | 30+ | View Recording | ||||
La Reina | Jorge Sosa | Laura Sosa Pedroza, Jorge Sosa | 2vln, vla, vc, db, fl/picc, ob/cor angl, cl/bass cl, bsn/contrabsn, tpt, tbn, piano/keyboards, perc, laptop | 14 | English, Spanish | View Recording | ||||
Lacrymosa | Melissa Hui | voice — chamber ensemble, woodwinds, keyboards | 1 | |||||||
Lahzeh-e Didar | Parisa Sabet | Mehdi Akhavan-Saless | 0:03 | ten — vibraphone | 1 | 1 | View Recording | |||
Lamentations of an Aztec Poet (paired with Every Gnome Knows) | Melika M. Fitzhugh | Unknown Aztec Poet(s) | 0:19 | ten — sop/alt/ten recorder alt/ten recorder ten/bass recorder (C or bass flutes may be substituted) | 1 | 3 | English, Nahuatl | |||
Las Tres Mujeres de Jurusalén | Carla Lucero | Carla Lucero | Spanish | View Recording | ||||||
Lear on the Second Floor | Anthony Davis | Allan Havis | ||||||||
Leeves | Michael Ching | Michael Ching | ||||||||
Leila | Karim Al-Zand | 0:11 | bar — git, str 4tet | 1 | 5 | View Recording | ||||
Leo: Opera in One Cat | Michael Ching | Fernando Fonseca | 0:15 | |||||||
Letras para cantar | Angélica Negrón | Sor Juana Inés de la Cruz | 0:11 | 3 female voices — electronics | 3 | 1 | Spanish | |||
Letter To Our Children | Justine F. Chen | Jacqueline Goldfinger | 0:14 | mez — harp, 2vln, vla, 2vc | 1 | 6 | ||||
Lilith | Anthony Davis | Allan Havis | English | |||||||
Lo-Re-Lei | Dai Wei | throat singer — str 4tet | 1 | 4 | View Recording | |||||
Loisaida, My Love | Jesse Montgomery | Bimbo Rivas | 0:05 | mez — vc | 1 | 1 | ||||
Looking at You | Kamala Sankaram | Rob Handel | 1:30 | 6 singers — 3 sax, pno, electronics | 6 | 5 | View Recording | |||
Lord, I Want to be a Christian/Give Me Jesus | Shawn E. Okpebholo | bar — fl, pno | 1 | 2 | ||||||
Love Raise Your Voice | Tarik O’Regan | 0:02 | sop — vln, pno | 1 | 2 | English | View Recording | |||
Love Songs | Jonathan Bailey Holland | 0:08 | sop — fl, cl, perc, vl, vla, vc | 1 | 6 | |||||
Lowak Shoppala’ (Fire and Light) | Jerod Tate | 1:30 | sop, bar, narrator — orchestra (3(2 picc).2.3(b cl).3(cbsn) – 4.3.3.1 – timp, 3 perc, hp, pno, str) — children’s chorus | 3 | 30+ | View Recording | ||||
Luciérnaga | Gabriela Ortiz | Silvia Peláez | View Recording | |||||||
Lunar Songs | Jesse Montgomery | J Mae Barizo | 0:07 | voice — str 4tet | 1 | 4 | ||||
Luv | Shreya Jha | |||||||||
Luz de Lava | Gabriela Ortiz | Armando Salas Portugall | 0:33 | sop — orchestra (3.2.3.3 – 4.4.3.1 – timp, 3perc, hp, pno – str) — choir | 1 | 30+ | View Recording | |||
Lynx Lamour Goes to Nashville | Tomson Highway | Tomson Highway | Woods Cree | |||||||
Lyrics of Love and Sorrow | Malcolm J. Solomon | voice — vc, pno | 1 | 2 | ||||||
Madame Mao | Bright Sheng | Colin Graham | 2:00 | orchestra (2.2.2.2 – 4.3.3.1 0 timp, 4perc, hp – str) — SATB chorus | 13 | 30+ | ||||
Madame White Snake | Zhou Long | Cerise Lim Jacobs | English | View Recording | ||||||
Madcap’s Diary | Alice Ping Yee Ho | 0:08 | sop — a.fl, harpsichord | 1 | 2 | |||||
Maku | Parisa Sabet | 0:08 | sop — fl, cl, pno, vl, vc, audio playback | 1 | 6 | English | View Recording | |||
Malabarismos | Angélica Negrón | 0:02 | female voice — flute | 1 | 1 | |||||
Mama’s little Precious Thing | Allison Loggins-Hull | sop — 4vln, 2vla, 2vc, db | 1 | 9 | ||||||
Marian’s Song (a chamber opera) | Damien Sneed | Deborah D.E.E.P. Mouton | sop, mez, ten, b.bar, bass, unknown — orchestra — chorus | 6 | 30+ | English | View Recording | |||
Mask Your Sonic Story | Reiko Yamada | Reiko Yamada | 1:00 | 9 female singers — percussion ensemble | 9 | 30+ | View Recording | |||
Master | Jacinth Greywoods | Deepali Gupta | 2 female, 1 male — | 3 | ||||||
May I Feel – An Opera in Seven Minutes | Bright Sheng | e e cummings | 0:07 | sop, ten — pno 4 hands | 2 | 2 | English | |||
Meditation on a Century Plant | Michi Wiancko | voice — strings | 1 | 30+ | ||||||
Messa | Alvin Singleton | from Catholic Liturgy | 0:26 | sop — fl, electric organ, 2git, vc, db — SATB chamber chorus | 1 | 6 | ||||
Mi Lumia | Angélica Negrón | 0:05 | 3 female voices — | 3 | ||||||
midnight, often | Che Buford | r.h. sin Buford | 0:06 | sop — vla, pno | 1 | 2 | english | View Recording | ||
Minette Fontaine | William Grant Still | 2:00 | col sop, sop, cont, ten, bar — orchestra: 3(2 3 ad picc.)-2-EH-3-2(2nd ad contrab.); 3-2-3-1; timp., perc., hp., str. — chorus | 5 | 30+ | |||||
Miranda | Kamala Sankaram | Kamala Sankaram, Rob Reese | 1:15 | 6 singers — vln, vc, cl, ten sax, bass cl, bari sax, el git, electronics | 6 | 8 | View Recording | |||
Misha’ Sipokni’ (The Old Ground) | Jerod Tate | 0:35 | top, ten, bar — orchestra (2(picc).2.3(b cl).3(cbsn) – 4.2.3.1 – timp, 2perc, hp, pno – str) — children’s chorus | 3 | 30+ | View Recording | ||||
Missa Latina | Roberto Sierra | 1:17 | sop, bar — orchestra — SATB chorus | 2 | 30+ | View Recording | ||||
Missa pro Defunctis | Joseph Jones | 1:30 | sop, mez, ten, bar — Orchestra (2.2.2.2-4-4-3-0-T+5-Str) — SATB chorus | 4 | 30+ | Latin | ||||
moment colorés | Faye Chiao | Albert Giraud | 0:18 | sop — fl, cl, vln, vc, pno | 1 | 5 | View Recording | |||
Monkey and Francine in the City of Tigers | Kamala Sankaram | David Johnston | 0:40 | 4 singers — pno, hand perc | 4 | 2 | ||||
Morning Call | Liliya Ugay | Sokunthary Svay | 0:07 | sop — fl, ob, cl, perc, hp, vln, vla, vc db | 1 | 8 | English | View Recording | ||
Mota | William Grant Still | 2:00 | sop, mez, ten, ba — orchestra: 2(2nd ad picc.)-2-2-2; 4-3-3-1; timp., perc. (2), hp., str. — chorus | 4 | 30+ | |||||
Motherless Child | Maria Thompson Corley | Kirsten Maria Corley | 4:30 | sop — string quartet | 1 | 4 | English | |||
Murasaki’s Moon, An Opera | Michi Wiancko | Deborah Brevoort | 1:09 | View Recording | ||||||
Muscogee Hymn Suite | Jerod Tate | 0:30 | traditional Mvskoke singer, bar — orchestra (2(alto/picc).2.2(b cl).2(cbsn) – 4.3.3.1 – timp, 2perc, hp – str) — children’s chorus | 2 | 30+ | View Recording | ||||
Mystery Date | Malcolm J. Solomon | Malcolm J. Solomon | 0:29 | 2 sop, mez, spoken male — orchestra | 4 | 30+ | English | View Recording | ||
Myths of History | Julius Williams | sop — orchestras | 1 | 30+ | ||||||
Namwayut | Parmela Attariwala & Ian Cusson, co-composers | Yvette Nolan | ||||||||
Naomi in the Living Room | Jonathan Bailey Holland | 0:20 | 2 sop, bar — ob, cl, bsn, tpt, tbn, perc, hapr, 2 vln, vla, vc, cb | 3 | 12 | |||||
Napi and the Rocks | Cris Derksen | 0:25 | narrator — orchestra | 1 | 30+ | |||||
Navidad en la montaña | Roberto Sierra | Virginia Sierra | sop — orchestra | 1 | 30+ | View Recording | ||||
Necessity is a Mother | Alvin Singleton | Alvin Singleton | 0:30 | 3 female actors — amplified db | 3 | 1 | ||||
Never Seek to Tell Thy Love | Hannah Kendall | 0:05 | 2 sop, alt — | 3 | 0 | |||||
Never was the way | James Diaz | 0:15 | voice — g fl, b cl, perc, vln, vc | 1 | 5 | |||||
New Andean Songs | Gabriela Lena Frank | José Maria Arguedas | 0:21 | sop, mez — 2 perc, 2pno | 2 | 4 | Spanish | |||
Night Songs | Vivian Fung | 0:18 | mez — fl, ob, cl, bsn, cor, tpt, tbn, perc, pno, harp, vln, vla, vc, db | 1 | 14 | View Recording | ||||
Night Wears Black | Juhi Bansal | adapted from Rumi | 0:05 | sop — vc, pitched bells | 1 | 2 | View Recording | |||
Nightsongs | H. Leslie Adams | multiple librettists | 0:20 | mez or bar — fl, ob, cl, bsn, 2hn, timp, perc, harp, str | 1 | 30+ | English | View Recording | ||
Nirvana Sketches | Alice Ping Yee Ho | 0:11 | solo male or female voice — orchestra | 1 | 30+ | |||||
Not Hands Like Mine | Hannah Kendall | 0:06 | 2 sop, alt — | 3 | 0 | |||||
Nothing is Subtle | Karen Sunabacka | mez, actor — fl, cl, perc | 2 | 3 | ||||||
Now Fatal Change | Tarik O’Regan | 0:09 | mez — vln | 1 | 1 | View Recording | ||||
O Death, O Grave | Ian Cusson | 0:05 | 2 voices — e.git, harpsichord | 2 | 2 | |||||
O Nightingale | Parisa Sabet | 0:04 | mez — fl, git, harp | 1 | 3 | |||||
Obeah Opera | Nicole Brooks | Nicole Brooks | 20+ women — a capella | 20 | 0 | View Recording | ||||
Öcalan | Nathan Felix | Nathan Felix | 0:20 | sop, ten — vln, vla, vc, pno — SATB chorus | 2 | 4 | Kurdish | View Recording | ||
Ocean Child | Alice Ping Yee Ho | Marjorie Chan | 0:16 | sop — orchestra | 1 | 30+ | View Recording | |||
Oceana | Osvaldo Golijov | 0:27 | sop, boy sop — 2 fl, 3 perc, 2 git, harp, str — chorus | 2 | 30+ | View Recording | ||||
Of the Sea short | Ian Cusson | Kanika Ambrose | 0:07 | |||||||
Omar | Michael Abels, Rhiannon Giddens | Michael Abels, Rhiannon Giddens | ||||||||
On Baldness & Other Songs | Cynthia Lee Wong | multiple librettists | 0:19 | sop — orchestra (4.3.3.3 – 2.2.2.1 – timp/rt, 3 perc, hp, pno/cel – str | 1 | 30+ | English | |||
On Music | Shawn E. Okpebholo | sop — cl, pno | 1 | 2 | View Recording | |||||
On the Origin | Justine F. Chen | Rochelle Bright | 0:25 | 2 sop, bar — pno | 3 | 1 | View Recording | |||
one story | Faye Chiao | 0:20 | sop, narrator — chamber ensemble | 2 | View Recording | |||||
Opera das Pedras | Clarice Assad | Denise Milan | ||||||||
Orchestral Powwow | Cris Derksen | 0:45 | 6 Powwow singers — orchestra, drummers, solo vc, 1 hoop dancer | 6 | 30+ | |||||
Out of the Rain | Michael Ching | Hugh Moffatt | ||||||||
Owl Song | Raven Chacon | voice — sinfonietta | 1 | |||||||
Panacea Nø-Chê | Du Yun | 0:08 | countertenor — tenor recorder, electronics | 1 | 2 | |||||
Panamericana, A Latin-Jazz Fantasy | Paquito D’Rivera | Annie Colina | 0:08 | sop — cl/alto sax, tpt, git/Venezuelan Cuatro, bandoneon, marimba/vibraphone, pno, bass, trap drum/perc | 1 | 9 | English | |||
Paradise Interrupted | Ruo Huang | Ji Chao, Jennifer Wen Ma, Huang Ruo, Qian Yi | 1:30 | Kunqu opera singer, c.ten, ten, bar, b.bar — | 5 | View Recording | ||||
Parizade and the Singing Tree | Karim Al-Zand | 0:24 | narrator — fl/picc/alt fl, cl/bass cl, vln, vc, pno, perc | 1 | 6 | View Recording | ||||
Parsimonia | Angélica Negrón | 0:04 | 6 female voices — | 6 | 0 | |||||
Partial Men | Dai Wei | Dai Wei | voice — str 4tet, live electronics | 1 | 2 | View Recording | ||||
Pearl of Asia | Alice Ping Yee Ho | 0:30 | sop — orchestra — chorus | 1 | 30+ | |||||
Pendulum | Clarice Assad | 0:15 | vocalist — tpt, pno | 1 | 2 | |||||
Philomel | Justine F. Chen | 0:15 | sop — fl/picc/alt fl, bsn, cor, tpt/flugelhorn, vln, vc, db | 1 | 7 | |||||
Pierrot Songs | Joshua Cerdenia | 0:13 | sop — Pierrot ensemble (fl, cl, vln, vc, pno) | 1 | 5 | English | View Recording | |||
Pimooteewin (The Journey) | Melissa Hui | Tomson Highway | sop, ten, narrator/actor — fl, ob, perc, vln, vla, vc, bass | 3 | 7 | Cree | ||||
Plenty Good Room | Maria Thompson Corley | Kirsten Maria Corley | 2:19 | sop — string quartet | 1 | 4 | English | |||
Pomok naka Poktoinskwes | Jeremy Dutcher | 0:06 | sop, male voice — perc, str 5tet, electronics | 2 | 7 | View Recording | ||||
Poppies in the Graveyard | Jonathan Bailey Holland | 0:09 | sop — cl/b cl, pno | 1 | 2 | |||||
Prayer | Alvin Singleton | 0:21 | ten — organ, harp, tpt, vc — chamber choir | 1 | 4 | |||||
Pueblo Mulato | Tania Leon | Nicolás Guillén | 0:12 | sop — ob, gui, perc, pno | 1 | 4 | ||||
Purchase of Manhattan | Brent Michael Davids | 0:56 | sop, ten, bar, American Indian singers — chamber orchestra, American Indian flute — SATB chorus | 30+ | ||||||
Pythagoras of Samos (Drama Musical in one act) | Andersen Viana | Andersen Viana | 1:30 | sop, ten, 2 bar, bass — pno, perc (Vibraphone, Glockenspiel, Bass Drums, Susp. Cymbals, Snare Drums, Triangle, Ganzá) — SATB chorus | 5 | 2 | Portuguese | View Recording | ||
Qadar | Tony Small | Tony Small | 2:00 | 2 sop, mez, 2 alto, 2 ten, bar, bass — orchestra, incl oud — chorus | 9 | 30+ | English, Arabic | View Recording | ||
Queen Clara | Mary Watkins | Lance Belville | ||||||||
Quiet Love and Moon Aria | Alice Ping Yee Ho | 0:10 | sop — pno, git | 1 | 2 | |||||
Quiet Thoughts by Night | Daniel Sabzghabaei | Bai Li | 0:05 | sop or ten — orchestra, incl dagu drum and pipa | 1 | 30+ | Mandarin | View Recording | ||
Quiet Thoughts by Night | Roydon Tse | 0:04 | sop or ten — orchestra, incl dagu drum and pipa | 1 | 30+ | Mandarin | ||||
Quirkhead | Nina Shekhar | Nina Shekhar | 0:09 | sop — str 4tet | 1 | 4 | English | View Recording | ||
Raices (Tabla Raza) | Tania Leon | 0:12 | voice — fl, vln, db, pno, tabla solo, 2perc | 1 | 7 | |||||
ramonanewyorkamsterdam | Kamala Sankaram | Kamala Sankaram | 0:25 | mez — str 4tet, pno | 1 | 5 | ||||
Redención | Johanny Navarro | 0:25 | ||||||||
Reflections | Tania Leon | Rita Dove | 0:10 | sop — pno, cl, a sax, tpt, 2perc, str 5tet | 1 | 11 | ||||
Rhyme and Punishment: A Musical Comedy in One Act | Faye Chiao | Anton Dudley | 0:45 | English | View Recording | |||||
Ribas-Dominicci | Nathan Felix | Nathan Felix | 0:25 | mez, bar — vln, vla, vc, pno — SATB chorus | 2 | 4 | English | View Recording | ||
Rivers, A Poetic Suite | Paquito D’Rivera | Langston Hughes, Julia de Burgos, José Maria Heredia | 0:18 | sop — fl, cl/alt sax, cor, pno, perc, vc, db | 1 | 7 | English | |||
Robotic Songs | Cynthia Lee Wong | 0:03 | 2 sop — perc | 2 | 1 | |||||
Rosalind | Hannah Kendall | 0:15 | sop (playing 15 note music box and harmonica in C), bar — piano (+ a piece of A4 paper) | 2 | 1 | |||||
Rose | Tomson Highway | |||||||||
RSBE | Michael Ching | View Recording | ||||||||
Ruka The Eco-Musical | Tony Small | Tony Small | View Recording | |||||||
Saia’tatokenhti: Honouring Saint Kateri | Barbara Assiginaak | Darren Bonaparte | ||||||||
Sarajevo | Osvaldo Golijov | 0:05 | sop — cl, vla, vc, db | 1 | 4 | |||||
Sarrasine, Scene 3, “Our love is like a diamonded chalice…” | Kyle Ukes | Kyle Ukes | c.ten, bar — pno | 2 | 1 | English | ||||
Say You Have This Ball of Meaning | Alvin Singleton | Patricia Hampl | 0:15 | bar — harp, accordion, 2 perc, str | 1 | 30+ | ||||
Scattered | Clarice Assad | 0:23 | scat singing — orchestra w piano solo (2.2.2.2 – 4.3.2.b tbn.1 – timp, 2perc – str) | 1 | 30+ | View Recording | ||||
Scourge of Hyacinths | Tania Leon | Tania Leon | 1:30 | mez, 3 ten, 3 bar, bass, 3 speakers — fl/A fl/pic, cl/Eb/b cl, A sax/T sax, bsn/cbn – cor, tpt/cnt, tbn – 3perc, pf – solo str | 11 | 16 | View Recording | |||
Search | Alvin Singleton | Mari Evans | 0:02 | sop — fl, vibraphone | 1 | 2 | ||||
Seven Armenian Songs | Gabriela Lena Frank | Nahapet Quchak | 0:30 | sop — perc, vln | 1 | 2 | Armenian | View Recording | ||
Seven Sisters | Justine F. Chen | Stephanie Fleischmann | 1:30 | 5 sop, 2 mez — 3vln, 3vla, 3vc, 1db, perc | 7 | 11 | View Recording | |||
Seven Songs from Midare-gami | Reiko Yamada | Akiko Yosano | sop — str 4tet | 1 | 4 | |||||
Seven Woods and a Van | Michael Ching | |||||||||
She | Nina Shekhar | Maya Angelou | 0:08 | mez — sitar, vln, vc, marimba | 1 | 4 | ||||
Shell Shaker: A Chickasaw Opera | Jerod Tate | 1:30 | 3 sop, girl sop, mez, ten, boy, 2 ten, 2 bar, bass — orchestra (3(picc).3(eh).3(bcl).3(cbsn) – 4.3.3.1 – timp, 3perc, hp – str) — SATB chorus | 11 | 30+ | |||||
Shikata ga nai | Roydon Tse | 0:15 | ten, bar — pno | 2 | 1 | |||||
Shilombisho Ittayallittook (Worth of the Soul): A Musical Tribute to American Indian Warriors | Jerod Tate | 1:00 | narrator — orchestra/symphonic wind ensemble — chorus | 1 | 30+ | |||||
Shine Through | Tony Small | Tony Small, Lisa Levine | View Recording | |||||||
Shiva She Says | Dai Wei | throat singer — str orchestra, pno, perc | 1 | 30+ | View Recording | |||||
Silver River | Bright Sheng | David Henry Hwang | 1:08 | African-American actress (Western style), Asian Male singer (Chinese Opera style), bar (Western Opera/Musical Theatre style) — fl/picc/a fl, cl/b cl/perc, pipa, perc, vln/perc, vc/perc | 3 | 6 | English | |||
Sing My People | Joyce Solomon Moorman | sop, ten, bas — chamber ensemble — SATB chorus | 3 | |||||||
Sing to the Sun | Alvin Singleton | Ashley Bryan | 0:16 | narrator — ob, cl, perc, pno, vla — children’s chorus | 1 | 5 | View Recording | |||
Singin’ Sepia | Tania Leon | Rita Dove | 0:12 | sop — cl, vln, pno 4 hnds | 1 | 4 | View Recording | |||
Sirens | Juhi Bansal | adapted from James Russell Lowell | 0:32 | 2 sop, mez — pre-recorded track | 3 | 1 | View Recording | |||
Slaying the Dragon | Michael Ching | Ellen Frankel | ||||||||
Small Argument | Alice Ping Yee Ho | 0:20 | sop — fl, pno | 1 | 2 | |||||
Smash Division | Leila Adu | 1 female — percussion quartet | 1 | 4 | View Recording | |||||
Snow on the River | Cynthia Lee Wong | Liu Zongyuan | 0:03 | sop — orchestra (1.1.1.1 – vib, mar, hp, cel, solo zhonghu (or solo vla) – str) | 2 | 30+ | ||||
Someone Else’s Child | John Wineglass | 0:13 | narrator — orchestra (3(picc).3(e.hn).3(e.b,b.cl).3(c.bsn) – 4.4.3.1 – timp, 4 perc, hp, pno/cel – str) | 1 | 30+ | |||||
Song of the Peach Blossom Cottage | Xuesi Xu | Yin Tang | 0:06 | sop — fl, cl, marimba, vln, vc, pno | 1 | 6 | Chinese | |||
Songs for Baritone and Orchestra | Julius Williams | bar — orchestra | 1 | 30+ | ||||||
Songs from the Book of Nightmares | Gity Razaz | 0:07 | sop — oboe, cl, hn, pno | 1 | 4 | |||||
Songs from the Diaspora | Roberto Sierra | 0:20 | sop — str 4tet, pno | 1 | 5 | View Recording | ||||
Songs from the Post-Truth Era | Karim Al-Zand | 0:06 | sop — bsn | 1 | 1 | View Recording | ||||
Songs of Gernika | Cynthia Lee Wong | Irantzu Agirre | 0:09 | sop — hp, str 4 tet | 1 | 5 | ||||
Soon I will Be Done | Maria Thompson Corley | Malcolm Richard Corley | 4:10 | sop — string quartet | 1 | 4 | English | |||
Speed Dating Tonight | Michael Ching | Michael Ching | View Recording | |||||||
Spirit Chief Names the Animal People | Jerod Tate | 0:25 | narrator — orchestra (1.0.0.2 – 2.2.0.0 – perc, pno – str) | 1 | 30+ | View Recording | ||||
Spirit Woman Song | Brent Michael Davids | 0:05 | sop — orchestra or chamber orchestra | 1 | 30+ | View Recording | ||||
Spiritual Suite | Tania Leon | 2 sop, narrator — amplified ensemble — chorus | 3 | |||||||
Splintered | Justine F. Chen and Jorge Sosa | Lila Palmer | ||||||||
Standing Bear: A Ponca Indian Cantata in Eight Tableaux | Jerod Tate | 0:25 | bar — pno, str 6tet | 1 | 7 | View Recording | ||||
Statistics | Shreya Jha | Shreya Jha | View Recording | |||||||
Stein Songs | Roger Zare | 0:17 | sop — b.cl, vln, perc | 1 | 3 | English | View Recording | |||
Stockbridge Mohican Song | Brent Michael Davids | Brent Michael Davis | 0:05 | voice — shaker, 2db | 1 | 3 | Mohican | |||
Suite for voice and chamber ensemble | Gity Razaz | voice — chamber ensemble | 1 | 30+ | ||||||
Suite for Voice, Piano, and Bassoon | Malcolm J. Solomon | voice — bsn, pno | 1 | 2 | ||||||
Surely I know the Spring that Swiftly Flows | Karen Sunabacka | bar — str 4tet | 1 | 4 | ||||||
Sweet Land | Raven Chacon, Du Yun | Aja Couchois Duncan, Douglas Kearney | 2:02 | fl, fl/sax, 2 cl/sax, tpt, tbn, 2 tba, 3 perc, 2 git, 2pno, 3 vln, 2 vla, 2 vc, 2 db, — chorus | 16 | 23 | View Recording | |||
Swimmy | Karim Al-Zand | 0:05 | narrator — cl, pno, vln, vc | 1 | 4 | View Recording | ||||
Synthetico | Clarice Assad | amplified voice (TC Helicon’s Voice Live Touch) — vln, cl, pno, vc | 1 | 4 | View Recording | |||||
Taking Up Serpents | Kamala Sankaram | Jerry Dye | 1:00 | 6 singers — 3 sax, pno, electronics | 6 | 5 | ||||
Tale of Da Ji Prologue | Alice Ping Yee Ho | 0:05 | sop, b.bar — cl/b.cl, bsn, tpt, perc, pno, vln, vla, vc | 2 | 8 | |||||
Tale of M’Whell | Alice Ping Yee Ho | 0:20 | sop — b.cl, vln, pno | 1 | 3 | |||||
Tan-Tan | Hannah Kendall | 0:15 | mez (who plays harmonica and 15 note Music Box) — fl/picc/alt fl/b fl/harmonica, cl/b cl, vln/voice, perc/voice | 1 | 4 | |||||
Tania | Anthony Davis | Michael John La Chiusa | 1:30 | sop, mez, ten, bass, 2 male, 4 female — 3ww.bn/2perc/pf/vn.vc.db | 10 | 10 | English | |||
Technobabble IV | Daniel Sabzghabaei | 0:09 | high voice — fl, cl, vl, perc/plastic bags | 1 | 4 | View Recording | ||||
Tender Buttons | Roger Zare | 0:17 | sop — vln | 1 | 1 | English | View Recording | |||
Tesla’s Pigeon | Melissa Dunphy | Shakespeare, Goethe, Viereck, Traditional | 0:18 | sop — orchestra (3,2,3,3; 4,2,2,1; timp, perc, hp; str) | 1 | 30+ | View Recording | |||
The (Post) Mistress | Tomson Highway | Tomson Highway | English, with some Cree and French | |||||||
The Battle of Bull Run Always Makes Me Cry | Jonathan Bailey Holland | Carole Real | 0:12 | 2 sop, mez, male actor — cl, vln, vc, pno, marimba | 4 | 5 | ||||
The Bitter Suite | Kamala Sankaram | Hunter S. Thompson | 0:08 | sop — vla, vc, acoustic bass, e git | 1 | 4 | ||||
The Boatman’s Aria | Kamala Sankaram | 0:05 | bar — fixed electronics | 1 | 0 | |||||
The Book Collector | Stella C. Y. Sung | Ernest Hilbert | 0:49 | View Recording | ||||||
The Boy from Troy | Maria Thompson Corley | Diana Solomon-Glover | ||||||||
The Bronze Legacy | Damien Geter | low/med voice — fl, pno, db, perc | 1 | 4 | ||||||
The Call Across the Valley of Not-Knowing | Gity Razaz | 0:35 | sop, bar — cl, vc, pno | 2 | 3 | English | View Recording | |||
The Central Park Five | Anthony Davis | Richard Wesley | sop, 2 mez, 5 ten, bar, 3 b.bar — | 12 | ||||||
The Course We Set | Johanny Navarro | 0:10 | ||||||||
The Crossing | Clarice Assad | E. M. Lewis | ||||||||
The Curious Lady of Lyme Regis | Laura Jobin-Acosta | Kaitlin Sullivan | View Recording | |||||||
The Disappeared | Clarice Assad | Daniel Basilio | 0:10 | View Recording | ||||||
The Disinherited | Clarice Assad | Niloufar Talebi | ||||||||
The Dragon | Justine F. Chen | 0:50 | sop, mez, ten, bass — pno OR 3fl, perc — optional chorus | 4 | 1 | |||||
The Gonzales Cantata | Melissa Dunphy | public domain | 0:40 | 6 sop, alt, ten — organ — SSAT choir | 8 | 1 | View Recording | |||
The Grey Land | Joseph C Phillips Jr | Joseph C Phillips Jr, Isaac Butler, Sonya Sotomayor, Frederick Douglass, Paul Laurence Dunbar, Carolyn Bryant Donham | 1:05 | sop, narrator — fl/picc, cl, alt sax, bsn, cor, tpt, tbn, 4electric/acoustic git, 2 electric pno, harp, 4 vln, 2vla, vc, electric bass — 6 treble voices | 2 | 22 | English | View Recording | ||
The Hill Wife | Joseph Jones | Robert Frost | 0:24 | medium-high voice — cl, vln, vc | 1 | 3 | English | |||
The Infinite Energy of Ada Lovelace | Kamala Sankaram | Rob Handel | 0:45 | 6 singers — str 4tet, pno | 6 | 5 | ||||
The Knife of Dawn | Hannah Kendall | Tessa McWatt | bar — harp, vln, vla, vc — 2 sop, alt | 1 | 4 | English | View Recording | |||
The Landing | Leila Adu | 1 female — str 4tet, harp | 1 | 5 | ||||||
The Late Walk | Jasmine Barnes | Nikolaus Hochstein Cox | 0:12 | sop, 2 mez, bar — bas, pno | 4 | 2 | ||||
The Leader | Karim Al-Zand | 0:35 | sop, mez, ten, 2 bar — fl, cl, cornet, tbn, 2 vlns, vla, vc db, perc | 5 | 10 | View Recording | ||||
The Legend of Sleepy Hollow | Vivian Fung | operatic voice — | 1 | |||||||
The Letter | Malcolm J. Solomon | |||||||||
The Life and Death(s) of Alan Turing | Justine F. Chen | David Simpatico | 1:50 | sop, mez, 2 ten, bar, 2 b.bar — orchestra (picc.1(picc).1.1(b c).a sax/bar sax.1(cbsn) – 1.1.1.1 – perc, pno/cel/pipe organ, hp – str (5.4.4.4.2)) — SATB chorus (24 singers min) | 7 | 30+ | View Recording | |||
The Lonely Doll: A Full Length Musical | Faye Chiao | Tasha Gordon-Solmon | English | View Recording | ||||||
The Lost Country of Sight | Juhi Bansal | Neil Aitken | 0:12 | sop — vc, pno, perc | 1 | 3 | View Recording | |||
The Lotus Told Me | Dai Wei | throat singer — fl, cl, vln, vc, pno | 1 | 5 | View Recording | |||||
The Madness of Queen Charlotte | Alice Ping Yee Ho | 0:09 | sop — fl, vla, vc, pno | 1 | 4 | |||||
The Maiden Tower | Justine F. Chen | 0:40 | sop, ten, bass, actress — fl/picc, cl, cor, perc, hp, pno, 2vln, vla, vc, db, electronics (quadraphonic speaker set-up) | 4 | 12 | |||||
The Man Who Swallowed a Snake | Du Yun | 0:19 | voice — perc, db OR sax, perc | 1 | 2 | View Recording | ||||
The mask in the Mirror | Richard Thompson | Richard Thompson | 2:30 | 3 sop, 3 mez, 3 ten, 2 bar — 2 fl (picc), ob, eng horn, cl, 2 fag, 2 cor, 2 perc | 11 | 11 | English | View Recording | ||
The Meadow Lark | H. Leslie Adams | Paul Laurence Dunbar | 0:05 | high voice — 2fl, 2ob, 2cl, 2bsn, 4hn, 3tpt, 3tbn, tba, perc, str | 1 | 30+ | ||||
The Mouse and the Camel | Robert Owens | Jalal ad-Din Muhammad Rumi | mez — vla, vc, pno | 1 | 3 | English | View Recording | |||
The New Canadians | Peter Abando | Carolyn Nakagawa | 2:00 | 9 actor/singers — | 9 | 6 | View Recording | |||
The Night Singer | Vivian Fung | sop, ten, b.bar — pno | 3 | 1 | ||||||
The Parksville Murders, Episode 1 | Kamala Sankaram | Jerre Dye | 0:10 | sop, mez — fixed electronics — chorus | 2 | 1 | ||||
The Phoenix | Bright Sheng | Hans Christian Anderson, Bright Sheng. | 0:25 | sop — orchestra (3.3.3.3 – 4.3.3.1 – timp, 4perc, hp – str) | 1 | 30+ | ||||
The Pillar | William Grant Still | 2:00 | sop, mez, 2 c.ten, 3 ten, 2 bar, bass — orchestra: 2-picc.-2-EH-3-2-contrab.; 3-3-2-1; timp., perc., cel., hp., str., drums, tom-toms, cymbs., chimes, tamb., trian., temple blks., maracas. — chorus | 10 | 30+ | |||||
The Prisoner | Karim Al-Zand | 0:28 | bass — orchestra (3,3,3,3; 4,4,3,1; harp, pno/cel, timp, 4 perc; str) | 1 | 30+ | View Recording | ||||
The Red Ribbon | Ylan Chu | Ylan Chu | 0:08 | sop, ten — picc/fl, cl, cor, vln, vc | 2 | 5 | English | |||
The Red Silk Thread: An Epic Tale of Marco Polo | Stella C. Y. Sung | Ernest Hilbert | View Recording | |||||||
The Rosina Project | Ikechi Chijiuba Ihemeson & K.F. Jacques | Mikey to the P | ||||||||
The Secret Code of Mary Bowser: An Operatic Scene | Faye Chiao | Anton Dudley | 0:10 | |||||||
The Secret River | Stella C. Y. Sung | Mark Campbell | 1:10 | 3 sop, mez, bar — fl, cl, bas, vl, vla, vc, db, harp, pno, perc | 5 | 11 | View Recording | |||
The Seduction of Honorius | Daniel Sabzghabaei | mez — orchestra | 1 | 30+ | View Recording | |||||
The Selfish Giant | Clarice Assad | Lila Palmer | ||||||||
The Seven Last Words of Christ | Laura Jobin-Acosta | 0:45 | sop, bar — fl, str 5tet — 8 voice choir | 2 | 6 | View Recording | ||||
The Sky Where You Are | Maria Thompson Corley | Jenny O’Connll | sop, mez, bar — vln, pno | 3 | 2 | English | ||||
The Snow Globe | Ian Cusson | Colleen Murphy | 0:07 | |||||||
The Son of Man | Kareem Roustom | Kahlil Gibran | 0:58 | sop, mez, ten, b.bar — tpt, hp, perc, organ — SATB chorus | 4 | 4 | View Recording | |||
The Song of Majnun | Bright Sheng | Andrew Porter | 1:00 | orchestra (2.1.1.1 – 2.1.1.0 – timp, 3perc, hp, pno – str) — chorus (16-24) | 8 | 30+ | English | |||
The Song Poet | Jocelyn Hagen | Kao Kalia Yang | ||||||||
The Start Are Setting | Parisa Sabet | Hakim Omar Khayyam | 0:11 | voice — mandolin orch, guitar 4tet, str | 1 | 30+ | ||||
The Stream, An Opera | Michi Wiancko | Sarah LaBrie | ||||||||
The Tongue & The Lash | Damien Sneed | Karen Chilton | ten, bar, bass — — chorus | 3 | English | |||||
The Wanton Sublime | Tarik O’Regan | Anna Rabinowitz | 0:30 | mez — fl/picc, 2perc, acoustic git, electric git, vln, vla, vc, db, pre-recorded mezzo soprano | 1 | 9 | ||||
The War Bride | Nathan Felix | Nathan Felix | 0:30 | sop, 3 ten, 4 bar — ob, cl, tpt, tbn, vln, vla, vc, pno, perc — chorus | 8 | 9 | English | View Recording | ||
The Wife | Kamala Sankaram | Kamala Sankaram | 0:12 | sop — accordion, live electronics | 1 | 2 | ||||
The Wind May Know | Dai Wei | sop — vc | 1 | 1 | ||||||
The Yellow Wallpaper Songs | Gitz Razaz | 0:10 | sop — vln, vc, pno | 1 | 3 | |||||
Thirst | Du Yun | 0:15 | two Xinchang opera singers, two female voices — orchestra: 3.3.3.3 / 4.3.3.1 / 3 perc, harp, cel, str | 2 | 30+ | |||||
Thirteen Tanka | Karim Al-Zand | 0:09 | bar — ob, vla, vc | 1 | 3 | View Recording | ||||
Three Chinese Love Songs | Bright Sheng | 0:08 | sop — vla, pno | 1 | 2 | |||||
Three Negro Slave Songs | Shawn E. Okpebholo | bar — vla, pno | 1 | 2 | ||||||
Three Patriotic Songs | Melissa Dunphy | Katharine Lee Bates, John Philip Sousa, Lee Greenwood | 0:08 | c.ten — 2fl(2nd also picc), harpsichord | 1 | 2 | View Recording | |||
Three Psalmic Meditations | Shawn E. Okpebholo | sop — alt tbn (or vla or cl), pno | 1 | 2 | ||||||
Three Songs for Soprano and Orchestra | Osvaldo Golijov | Sally Potter, Rosalía de Castro, Emily Dickinson | sop — orchestra: 2.2.2.2 – 2.0.0.0 – 2 perc, cel, harp, strings | 1 | 30+ | View Recording | ||||
Three Songs from Tang Dynasty | Alice Ping Yee Ho | 0:10 | sop or mez — fl, vln, pno | 1 | 3 | View Recording | ||||
Three, Two, One- BANG! | Justine F. Chen | 0:25 | 2 sop, 2 mez, ten, bar, 4 spoken roles — str 4tet, pno | 10 | 5 | |||||
Thrivers | Michael Ching | 0:29 | View Recording | |||||||
Thumbprint | Kamala Sankaram | 1:30 | 6 singers — fl, vln, vla, bass, pno +harmonium, drum kit + Indian perc. | 6 | 6 | View Recording | ||||
To See the Stars | Faye Chiao | 0:45 | 2 sop — fl, cl, vln, vc, pno | 2 | 5 | View Recording | ||||
touch | Carla Lucero | Carla Lucero, Marianna Mott Newirth | View Recording | |||||||
Troubled Island | William Grant Still | 3:00 | sop, cont, ten, bar, ba — orchestra: 2(2nd ad picc.)-2(2nd ad EH)-2-2; 3-3-2-1; timp., perc., hp., pno., str., drums, spec. drums, tom-toms, cymbs., chime in F#, bells, xylo., gong, tamb., gourd — chorus | 5 | 30+ | |||||
Turning | Tania Leon | 0:13 | sop — vc, pno | 1 | 2 | |||||
Tuxedo: Between Carnival and Lent | Hannah Kendall | 0:08 | alto — 2 cuffed vln, 2 harmonicas, music boxes | 1 | 5 | |||||
Two Opera Scenes: Grover and Friends/Alarm | Vivian Fung | Royce Vavrek | 0:08 | sop — perc (porcelain bowls, metal chimes, glass bowls, small tam-tam, wooden planks, brake drum, tenor drum, kick drum) | 1 | 1 | English | View Recording | ||
Two Poems From the Sung Dynasty | Bright Sheng | 0:14 | sop — 1.1.1.1 – 1.0.0.0 – perc, hp, pno – single strings | 1 | 13 | View Recording | ||||
Two Reflections on The Belovèd | Daniel Sabzghabaei | 0:08 | sop — perc 4tet | 1 | 4 | View Recording | ||||
Unburied, Unmourned, Unmarked | John Wineglass | 0:30 | mez, bar — orchestra (2(picc).2(e.hn).2.2(c.bsn) – 4.4.3.1 – timp, 4 perc, pno – str — SATB chorus | 2 | 30+ | View Recording | ||||
Under the Double Moon | Anthony Davis | Deborah Atherton | 1:45 | sop, mez, 2 ten, bar, b.bar, bass — orchestra (2.0.0.12cb.cl/bamboo.fl.1 – 2.1.2.0 – timp, 3perc, harp – str) | 7 | 30+ | English | |||
Undying Love | Steve Wallace | Steve Wallace | ||||||||
Unicamente la verdad | Gabriela Ortiz | 1:20 | View Recording | |||||||
Unknown | Shawn E. Okpebholo | mez, 2 bar — pno, alt sax, 2 vln, vc, bass, perc | 3 | 7 | ||||||
Until Nothing More Can Come Out | James Diez | sop, alt, ten — 1.1.1 – 1.1.1.1 – perc. hp, pno, accor – 1.1.1.1.1 — SATB chorus | 3 | 16 | View Recording | |||||
Untitled for Large Ensemble | Marc Zollinger | sop — cl, a.sax, cor, e.git, haegum, melodica, vln, vla, db | 1 | 9 | ||||||
Untitled Song Cycle | Kareem Roustom | 0:30 | mez — orchestra | 1 | 30+ | View Recording | ||||
Variaciones de soledad y esperanza | Roberto Sierra | 0:07 | sop — vln, vc, pno | 1 | 3 | |||||
VIVA Songs | Alice Ping Yee Ho | 0:10 | sop — sax, pno — children’s chorus | 1 | 2 | |||||
Wakonda’s Dream | Anthony Davis | Yusef Komunyakaa | English | |||||||
Waktégli Olówaŋ (Victory Songs) | Jerod Tate | 0:25 | bar — orchestra (1(picc).1.2(Eb/b cl).1 – 1.1.1.0 – timp, perc, hp – str | 1 | 30+ | |||||
Walk on the Beach | Laura Jobin-Acosta | 0:06 | sop — str 4tet | 1 | 4 | English | View Recording | |||
Water People: Mbe Nenangpe | Brent Michael Davids | 0:15 | bass — shell horn, quartz crystal bass flute, water pipes, clay flute, b cl, water bowls, 6 water drums | 1 | 12 | |||||
We Look to the Stars | Juhi Bansal | multiple librettists | 1:00 | 2 sop, mez, alt, ten — 3 perc, harp — chorus | 5 | 4 | View Recording | |||
We the Innumerable | Niloufar Nourbakhsh | Lisa Flanagan | 1:06 | 2 sop, ten, bass — cl, vln, vc, pno, perc, santour, electronics — TB chorus (min 4 singers) | 4 | 7 | English and Persian | View Recording | ||
When Day is Done | Meiqiao Wang | Raindranath Tagore | 0:10 | alt, bar — vc, db, pno | 2 | 3 | English, Mandarin | View Recording | ||
When Reality Breaks the Heart Remains | Leila Adu | 0:05 | voice — shakuhachi, electronics | 1 | 2 | View Recording | ||||
When the Moon Came Up | Wenxin Li | 0:07 | sop — fl, git, harp | 1 | 3 | View Recording | ||||
When the Purple Mountains Burn | Shuying Li | View Recording | ||||||||
Where There’s a Wall | Ian Cusson | Joy Kogawa | 0:16 | voice — (fl, cl, bsn, vln, vla, db) OR (pno) | 1 | 6 | ||||
Where We Lost Our Shadows | Du Yun | 0:28 | female voice, male voice — orchestra, percussion soloist, video | 2 | 30+ | View Recording | ||||
Whitman’s War | Jonathan Bailey Holland | 0:15 | sop — orchestra (2(picc),2(eh),2(b cl),2(cbsn); 4,3,3,1; timp, perc; str | 1 | 30+ | |||||
Who Married Star Husbands | Shuying Li | Kenzie Allen | 0:15 | sop — chamber orchestra (1.1.1.1 – 1.0.0.0 – perc. pno – str.) | 1 | 30+ | View Recording | |||
Winter Scenes | Karim Al-Zand | D. G. Jones | 0:13 | mez — harp, fl/alt fl, vla | 1 | 3 | View Recording | |||
Wisdom Whispers on the Wind | Laura Jobin-Acosta | 0:07 | 2 sop, mez — drone, organ | 3 | 2 | English | View Recording | |||
Wolf Woman | Alice Ping Yee Ho | 0:30 | sop — | 1 | 0 | |||||
WUORNOS | Carla Lucero | Carla Lucero | English | View Recording | ||||||
X: The Life and Times of Malcolm X | Anthony Davis | Thulani Davis | 2:30 | 5 sop, 5 mez, 5 ten, 4 bar, b.bar, bass, non-speaking roles — orchestra: 2(pic)12(2sax)2(cbn)/2120/timp.3perc/cel.pf/str; jazz band: fl.2cl.tpt.perc.vc.db.pf.dms | 21 | 30+ | English | |||
Yellow Crane Tower | Roydon Tse | Cui Hao | 0:06 | bar, ten — orchestra — SATB chorus | 2 | 30+ | Chinese Mandarin | View Recording | ||
Yet Unheard | Courtney Bryan | voice — orchestra — chorus | 1 | 30+ | View Recording | |||||
Yo Misma Fui Mi Ruta | Laura Jobin-Acosta | 0:10 | sop — 4 fl, 2 alt fl | 1 | 6 | Spanish | View Recording | |||
Yoshiko | Ian Cusson | Lila Palmer | 0:07 | |||||||
You Got Your Head Up In the Clouds | Kerwin Young | 0:07 | 2 sop — orchestra (1.1.1.1 – a.sax, t.sax – 1.1.1.0 – drums, e.pno, stgs, e.bass) | 2 | 30+ | |||||
Your Eyes Are Not Your Eyes | Du Yun | 0:10 | sop — ob, git, harp, vln | 1 | 4 | View Recording | ||||
Yunnan Folk Songs | Vivian Fung | 0:19 | mez, bar — fl, ob, cl, sheng horn (Chinese reed), perc, vln, vla, vc | 2 | 8 | View Recording | ||||
Zolle | Du Yun | Du Yun | 0:55 | female voice, ten, narrator — fl, cl, perc, vln, vla, vc, recorded ensemble, electronics | 3 | 7 | View Recording | |||
Zoo Song | Nina Shekhar | Nina Shekhar | 0:10 | singing flutist — singing flutist | 1 | 1 | English | View Recording | ||
Zuleykha | Afarin Mansouri | Afarin Mansouri | 1:00 | Farsi |
Listen to playlists of works from
BIPOC Voices database!
Most of the recordings of works in the BIPOC Voices database that we’ve found are on YouTube or SoundCloud, so we’ve made playlists on each for you to enjoy. You’ll find completely different works on each, so make sure to check them both out!